A Memory Box

Sometimes a memory box isn’t important just for what is inside, but the box itself – the materials it is made from have as much significance as the contents.  This is one of those boxes, and was one I made as a Christmas present this year for my Mother-in-Law.

A Box of Memory

The request for this box came about while my wife’s grandfather’s house was all being packed for the last time (he has recently moved into a nursing home).  Some furniture was not worth selling, and as it was about to be placed out for disposal, the thought by my MIL was whether I might be able to do something with the timber at least, to make a memory box.

The timber came from a piece of Rosenstein furniture, made from Queensland Mahogany.  There was no way that I could maintain the original finish, but that wasn’t specifically important – that it was made from this timber with family historical value was the key.

I took the panel, removed a length of beading detail, then thicknessed and drum sanded it down to a better thickness for the box.  The dovetails were created with the Gifkins Dovetail Jig.

Crocodile Leather Top

Another item found during the process was a bag of crocodile leather, left over from the 60’s, when my wife’s grandmother got a pair of leather boots made.  This was part of the left-over.

I took a piece and glued it to some Tasmanian Oak (so inside the box would still be worth viewing).

Edge Beading

To finish off the leather detail, I took some of the beading removed at the start of the process, ripped it down with the bandsaw, and used this smaller portion (approx 1/3 of the original beading width) to create this edge detail.

Wherever I used the original beading, I was particular in that the original finish was not changed at all, so the colouring of the original furniture is still represented in this reconsideration of the original item.

That crocodile leather is pretty awesome too, and that so much of this box carries that extra depth of meaning is significant, both for the recipient of the box, and for me as I was making it.

Underside of Lid

Keeping the lid simple, I rebated around the edge to create a lid that lifts off, rather than one that incorporates a hinge. (Wooden, handmade hinges is a project for the (near) future).  Here the contrast between the mahogany, and the Tassie Oak is quite noticeable.

Dovetail Detail

Around the top of the box (below the lid), I’ve attached the full width beading removed from the original furniture, mitred at the corners.  It was originally attached with small nails, and where that occurred I have left untouched – if it has a hole, so be it.  I used Titebond glue for both the dovetails, and the beading.

The finish is my old favourite – Tung Oil, and Ubeaut Traditional Wax

In the bottom of the box, and under the box, I’ve attached felt, and otherwise the box is a simple design.  Once again, the Gifkins Jig proves just how good it is at a simple full dovetail. (I have tried handcut dovetails, it can be done, but i didn’t find  it particularly rewarding, or satisfactory result-wise with my skill level – the darkside eludes me again) (Saw a T Shirt quote recently – Come over to the Darkside…..we have cookies!)

I still have a long way to go with my box designs, but for a long time I didn’t even dare try one at all.  A box is something that is often appreciated very closely, so if you don’t have really accurate joints (etc) it is pretty obvious to an even untrained eye.

Creating a box that not only will contain memories, but is made from them is a particularly rewarding exercise.

Little Boxes made of Ticky Tacky

Christmas came and went with such a rush, that I completely forgot to even take some photos of the two boxes I made as presents.  These are a few photos of one of those boxes (taken by my old man) of the box given to my Mum.

Dovetail Box

The sides are Tasmanian Oak, from Misan Timbers.  They have been dovetailed using the Gifkins Dovetail jig, with felt on the base, and more felt on the inside base.  The finish is hard burnishing oil, followed by Ubeaut Traditional Wax applied then buffed with the Ubeaut Swansdown mop mounted in the drill press.

Underside of Lid

The top is framed with Tasmanian Oak, and the panel is Queen Ebony from SITCO Australia.  (It is looking a lot redder than in real life).

On the underside of the lid, I have added felt around the perimeter (where it makes contact with the base)

Inside of Box

The base is actually a floating panel (as is the Queen Ebony in the lid), with a rebate around the edge and sitting in a slot cut around the base.

Side of Box showing Dovetail Detail

The dovetails were perfect straight off the router table – the beauty of the Gifkins jig – once you have it set right, repeatable, perfect dovetails are almost too easy.

Disaster – UBeaut EEE is no more

EEE Ultrashine (pronounced Triple E) was one of those amazing products – a cut and polish for woodturners. The name was a play on Tripoli – the mineral (like talc) that is used as the cutting agent in the wax.

Unfortunately, too many out there just didn’t “get it”. Not whether the product was any good or not, just the name 😉

So the product is still being sold, but now it is just called “Ultrashine” Whew 🙂

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